Scripts, scenes, locations, crew, agreements and calendars in one model — so when the day shifts, you see every knock-on before you commit to it. Ask in plain language. Get the cascade back in seconds, not a night of phone calls.
Built with location managers, coordinators and UPMs on live episodic productions.
Streamlined production coordination — days of paperchase off the schedule.
Scouts and managers stay in the field. Agreements keep moving without laptop time.
AI script processing keeps the AD team out of manual sides annotation.
A revision lands at 7pm. Someone opens the one-liner, someone else opens the location list, someone starts texting owners, and the AD department re-annotates sides by hand. The information exists. It just doesn't talk to itself.
A new draft lands and nobody knows which locations, holds and agreements it just invalidated.
Every "can we move Day 12?" costs an evening of calls before anyone can even price the option.
The people who should be looking at locations are transcribing them into spreadsheets instead.
Pipeline status lives in someone’s inbox, so the only visibility upstairs is a weekly PDF.
One sentence. SetNet walks the graph and shows you what it touches — before anything is committed.
Parse scenes, headings, cast and setup elements. Group near-duplicate script locations. Nothing imports until you review the summary.
Script locations become candidate resources, then real properties with addresses, contacts, payees and signers.
Scouting → agreement document flows and appointment flows drive themselves, with portal links for people who’ll never have a login.
Once the graph exists, "what if" becomes a question with an answer instead of a meeting.
SetNet's agent reads the same production model your team works in — scenes and their setup elements, candidate resources, real-world locations, contacts and their roles, document and appointment flows. It drafts; you approve. Nothing goes out to an owner or a crew list without a human pressing send.
| Scene | Heading location | Change | Flag |
|---|---|---|---|
| 42 | EXT. BEACH ROAD | Location changed → EXT. CLIFF PATH | Warning |
| 43 | INT. KESTREL MOTEL 12 | Unchanged | No change |
| 47 | EXT. PIER 14 | Schedule event LOCKED in 4 days | Blocker |
| 48 | INT. STAGE C | Scene added | Info |
| 51 | EXT. HALCYON HOUSE | Removed from revision | Warning |
Blockers stop the import until a human resolves them. Warnings and info travel with the record.
Drop in the new draft. SetNet parses scenes, headings, cast and elements, groups near-duplicate script locations, matches characters to people you already have, and diffs the whole thing against the active script: scenes removed, scenes added, locations changed, cast dropped.
Then it checks the diff against reality — locked location events inside seven days, confirmed owner appointments — and marks them blockers before anyone drives anywhere.
MWS Films uses this to keep their AD team out of manual sides annotation.
Log a location, attach the owner, fire the agreement flow and place a hold from your phone at the gate. The office sees it immediately.
One board for appointments, synced calendars, team availability, document flows and the message queue — with drafts you approve, not chase.
See where every location, agreement and scene actually stands, and price a schedule change before you approve it.
Location scouts place holds from the field; the coordinator sees them the moment they land. Locator Productions runs their agreements this way — no laptop night.
Two-way calendar sync, signature-ready document flows, a token portal so owners and vendors never need an account, and an agent interface that talks to the same records your crew does.
Productions aren't seats — half your crew changes every block. You pay for the shows that are shooting. Early-access pricing is held for twelve months from your first shoot day.
No. Hypotheticals run as scenarios, and workflow transitions that send email or portal links are human-only by design. The agent drafts and recommends; a person commits.
It becomes a blocker and the import stops until someone resolves it. Locked location events inside seven days and confirmed owner appointments are treated as hard conflicts.
No. They get a token portal link to confirm times, read the agreement and respond.
They work from their phone against the live production. Locator Productions runs this way — the point is no end-of-day laptop session.
Scenes carry episode and shooting-block context, and arrangements track filming, prep, wrap and hold days per location.
You do. Scripts and production data belong to the production, are used only to run your workspace, and are deleted on request.
We onboard a handful of productions per block so we can sit in your prep and fix what breaks. Tell us what you're shooting and when it starts.